Published conference papers and journal articles:
- Burns, C. "Sawtooth: Interactive Clarity and Aesthetic Complexity." Proceedings, CHI 2010: ACM Conference on Human Factors in Computing Systems.
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- Burns, C. "Sawtooth: Interface as Visualization." Proceedings, International Computer Music Conference 2009. San Francisco: International Computer Music Association.
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- Burns, C., and Surges, G. 2008. "NRCI: Software Tools for Laptop Ensemble." Proceedings, International Computer Music Conference 2008. San Francisco: International Computer Music Association.
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- Surges, G., and Burns, C. 2008. "Networking Infrastructure for Collaborative Laptop Improvisation." Proceedings, SPARK Festival 2008.
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- Burns, C. 2007. "Interpreting Alvin Lucier: Process, Economy, and Perception." Minimalism & Its Legacy catalog, Institute of Visual Arts, University of Wisconsin-Milwaukee.
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- Burns, C. 2007. "Complexity and Control in a Software Improvisation Environment." Proceedings, SPARK Festival 2007.
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- Burns, C. 2006. "Compositional Strategies for Point-Source Spatialization." eContact! 8/3.
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- Burns, C., S. Serafin, and M. Burtner 2006. "Generalizing Digital Waveguides for Composition." eContact! 8/3.
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- Burns, C. 2005. "Lattice: Strategies for and against control in an improvisation instrument." Proceedings, International Computer Music Conference 2005, pp. 773-776. San Francisco: International Computer Music Association.
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- Burns, C. 2004. "Designing for Emergent Behavior: a John Cage realization." Proceedings, International Computer Music Conference 2004, pp. 193-196. San Francisco: International Computer Music Association.
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- Burns, C. and Burtner, M. 2004. "Recursive Audio Systems: Acoustic Feedback in Composition." Leonardo Electronic Almanac 12/2 (February 2004).
- Burns, C. 2003. "Emergent Behavior from Idiosyncratic Feedback Networks." Proceedings, International Computer Music Conference 2003. San Francisco: International Computer Music Association.
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- Burns, C., S. Serafin, and M. Burtner 2003. "Musical Applications of Generalised Multichannel Digital Waveguides." Proceedings of the Stockholm Music Acoustics Conference 2003.
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- Burns, C. 2002. "Realizing Lucier and Stockhausen: Case studies in the performance practice of electroacoustic music." Journal of New Music Research 31/1, pp. 59-68.
- Burns, C. 2002. "Tracing Compositional Process: Software synthesis code as documentary evidence." Proceedings, International Computer Music Conference 2002, pp. 568-571. San Francisco: International Computer Music Association.
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- Burns, C. 2001. "Realizing Lucier and Stockhausen: Case studies in the performance practice of electroacoustic music." Proceedings, International Computer Music Conference 2001, pp. 40-43. San Francisco: International Computer Music Association.
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