The San Francisco Tape Music Collective is dedicated to presenting performances of audioArt diffused through a surround-sound speaker environment. Inspired in many ways by the 1960's San Francisco Tape Music Center, we originally called ourselves the "New" San Francisco Tape Music Center.

The SFTMC and the SF Tape Music Festival is a project of sfSound
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The San Francisco Tape Music Festival 2012





The San Francisco Tape Music Festival 2012

January 20-22, 2012
ODC Theater
3153 17th
San Francisco

8pm, $15 [$8 underemployed] each night
$35 festival pass
Box office: 415.863.9834 or buy tickets online

“Cinema for your ears.” -- SF Weekly     “…literally surrounded by sound.” -- San Francisco Chronicle
“Tape Capsule” -- The New York Times



America's only festival devoted to the performance of audio works projected in three-dimensional space, with three distinct evenings of classic audio art and new fixed media compositions by 25 local and international composers. Hear members of the SF Tape Music Collective, along with guest composers, shape the sound live over a pristine surround system consisting of 16+ high-end loudspeakers while the audience is seated in complete darkness. It's a unique opportunity to experience music forming - literally - around you.

This year we celebrate 100 years of John Cage, with classic tape assemblages spanning his career, along with two new realizations of tape scores by the SF Tape Music Collective.

In addition, we present iconic masterpieces of the artform by Milton Babbitt, Raymond Scott, Jim Henson, Luc Ferrari, and The Beatles; and a diverse selection of local pieces includes new work by Bay Area luminaries Thom Blum, Cliff Caruthers, Jacob Felix Heule, Matt Ingalls, Kristin Miltner, Maggi Payne, and Rubber (() Cement.

We will also be marking 163 years of recorded sound by presenting the phonautograph realizations of Firstsounds.org (see above image). Listen to the first ever captured sounds, as you prepare for an evening of audio art that promises to engage and challenge your senses. From the earliest recording experiments to the latest innovations in sonic exploration, come and experience...

Finally, the festival's raison d'être is always hearing 'the state of the art' through works selected from our open call for submissions. The year we include pieces by Joseph Anderson (UK), Matthew Barnard (UK), Martin Bédard (Montréal), Christopher Burns (Milwaukee), Dan Joseph (New York), Orestis Karamanlis (Greece), Stelios Manousakis (Seattle), Émilie Payeur (Montréal), Alexander Schubert (Germany), Christopher Swithinbank (UK), Adam Basanta (Montréal), and John Young (UK).

The San Francisco Tape Music Festival -- It's cinema for you ears!


PROGRAM

FRIDAY 8p
John Cage (1912-1992) - Williams Mix (1952-53)
John Cage (1912-1992) - Imaginary Landscape No.5 (1952)
Luc Ferrari (1929-2005) - Les Arythmiques - VI (2009)
Maggi Payne (Berkeley) - Glassy Metals (2009)
Jacob Felix Heule (San Francisco) - Counterpoint (2012)
Thom Blum (San Francisco) - Couplings (2012)
Cliff Caruthers (Oakland) - (2012)
Matthew Barnard (UK) - The Piano Makers (2011)
Orestis Karamanlis (Greece) - Sterfos (2009)
Émilie Payeur (Montréal) - Matière contre vide (2011)
and a 1859 Phonautogram by Édouard-Léon Scott de Martinville (1817-1879)


SATURDAY 8p
John Cage (1912-1992) - Roaratorio, an Irish circus on Finnegans Wake - Part IV (1979)
John Cage (1912-1992) - Five Hanau Silence (1991)
The Beatles (1957-1970) - Turn me on Deadman (9 noituloveR) (1968)
Raymond Scott (1908-1994) with Jim Henson (1936-1990) - Limbo: The Organized Mind (1974)
Kristin Miltner (Oakland) - Syrinx (2012)
Joseph Anderson (UK) - ChAnGE's MUSIC (1996)
Christopher Burns (Milwaukee) - Jacquard (2011)
Matt Ingalls (Oakland) - Collage (2012)
Martin Bédard (Montréal) - Champs de fouilles (Excavations) (2011)
Christopher Swithinbank (UK) - La leggerezza delle città (2010)
and an 1859 Phonautogram by Édouard-Léon Scott de Martinville (1817-1879)


SUNDAY 8p
John Cage (1912-1992) - Fontana Mix (1958)
John Cage (1912-1992) - Bird Cage (excerpt) (1972)
Milton Babbitt (1916-2011) - Ensembles for Synthesizer (1964)
Rubber (() Cement (San Francisco) - "The Hydrogen Affair" Tritum fast talks the Szilard simpletones (~2000)
Adam Basanta (Montréal) - a glass is not a glass (2010) 
Dan Joseph (New York) - Periodicity Piece #6 (2008)
Stelios Manousakis (Seattle) - Megas Diakosmos (2011)
Alexander Schubert (Germany) - Nachtschatten (2009)
John Young (UK) - Lamentations (2009)
and an 1859 Phonautogram by Édouard-Léon Scott de Martinville (1817-1879)




funded in part by The San Francisco Grants for the Arts and The Aaron Copland Fund for Music
equipment kindly provided by The Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University and The Paul Dresher Ensemble


        

The SFTMC CD!

sfSoundRadio is now playing many tape works from
our past concerts. TUNE IN NOW!

Read Joseph Anderson's short Essay & Program Notes on the history of San Francisco Tape Music Center & our San Francisco Tape Music Collective (aka the "new" SFTMC).
[ from the The University of Edinburgh Soundings Showcase ]





What is Tape Music??

It is a bit paradoxical to use the word traditionally with a practice of the avant garde -- but, traditionally the words tape music have referred to the target media of a new kind of music. This new kind of music is not composed for arbitration by a pianist and the piano, so it must not be piano music. . . not for the string quartet, not for the orchestra, not even for the rock 'n roll band.


Music Composed for Tape.

The idea of a music composed for a fixed medium, while perhaps starting down a path, does not really lead us to a fundamentally new art. If the only criteria for differentiating tape music from all other musics is the fixed delivery medium -- magnetic tape, vinyl, CD, miniDisc -- then our thought has just led us to all industrialized forms of music, so called "popular" and "classical". When this is our only standard, we discover tape music is actually the foremost music of our time. The kids love it, the moms subdue their road-rage with it, the dads sing tunelessly with it, and so on.


But This Music May Not be Music.

The pieces we present transcend simplistic notions of music and its materials and its "instruments." The recording/playback media itself is treated not as a stand-in for an absent performer, a poor man's orchestra, but as a vital and unique territory for exploration/exploitation. They coexist in many worlds, blurring the line between composition, field recordings, sound design, "cinema for the ear," virtual [audio] reality, "radio" drama, and sound synthesis. This artform does not depend upon the posturing of performers. It does not worship the technology with which it was produced, nor does it fetishize the physical medium in which it is contained. There is nothing to see here! In the same way cinema is NOT theatre, tape music is NOT music.



Past SFTMC concerts

The San Francisco Tape Music Festival 2011
January 7-9, 2011

Unravelling Tape An installation by the San Francisco Tape Music Collective
June 15-July 15, 2010

The San Francisco Tape Music Collective @ Mills College
November 9, 2009

The San Francisco Tape Music Festival 2009
January 30-February 1, 2009

The San Francisco Tape Music Festival 2007
January 26-28, 2007

The San Francisco Tape Music Festival 2006
January 25-27, 2006

Cinema for the Ear: The San Francisco Tape Music Festival
January 20-22, 2005
READ: a review by Jonathan Russell in San Francisco Classical Voice
and
a preview of the festival by SILKE TUDOR in the SFWeekly

The San Francisco Tape Music Festival
February 20-22, 2004

HEAR: Colin Berry's feature about the festival on NPR's California Report

San Francisco Electronic Music Festival
Sunday July, 27, 2003

READ: a review by David Bithell in Computer Music Journal

Strictly Ballroom Series
Thursday October, 23, 2003

Stanford University

The Tranparent Tape Music Festival II
8/16/2002 - 8/18/2002
READ:
a review by Tom Djll

The Tranparent Tape Music Festival
1/11/2002 & 1/12/2002
READ:
East Bay Express' Preview Article
READ: a review by Jonathan Segel in Computer Music Journal

microFestival
7/29/2000
READ:
a review by Mark Alburger in the SF Classical Voice & 21st Century Music

Big Sur Experimental Music Festival II
5/20/2000

The East Bay Tape Music Festival 1 @ Art Rattan Warehouse
4/30/99



The San Francisco Tape Music Collective is
Joseph Anderson | Thom Blum | Cliff Caruthers
Ma++ Ingalls | Kent Jolly



We are always looking for new works.
Click here for submission information.


Background image: a "diffusion score" for Edgard Varèse's Poème Électronique